Wedding – Reception

After the ceremony, all the guests were made to go out into the foyer while the formal portraits were taken and the chairs removed.  There were refreshments and a calypso band.  Once the ballroom was ready, everyone was ushered back in.  The first event on the agenda was the toasts.  I don’t remember what the best man said, but it got a reaction from the others.

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The bride did not want pictures of the guests at their tables for dinner, and that was fine with us.  There were too many guests, the lighting was terrible, and we got to rest just a little.  After dinner, they started the dances.  The bride and groom danced, then the groom and his mother.  The bride’s father was deceased.  So, she decided to do four dances, one with each of her brothers.  Her brothers came from Puerto Rico.  So, it  was a special occasion for them.  Cindy said that this meant a lot to the bride.  So, we concentrated on getting really good pictures of these dances.  Again, the lights were down really low.  So, focusing was a serious problem.  Even at that, this is a picture of the bride dancing with one of her brothers.

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The rest of the evening was spent dancing and visiting, and we got some nice pictures of the rest of the reception.

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Wedding – Ceremony

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The wedding was in the ballroom of the convention center.  It was obviously not the easiest place to decorate.  The wedding planner did an outstanding job with what she had to work with. The ceremony was held in the center area, and tables and chairs for dinner and the reception were set off to the sides.  After the ceremony, the chairs in the center were quickly removed to form a dance floor for the reception.

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Sometimes you capture a moment.  This was in the middle of the ceremony.  I am not sure of the precise context as it happened so fast.  But, the preacher looked up to the heavens, and I snapped the picture. This made for a unique image for their wedding folio.

These pictures look pretty good because they could not find anyone who could turn the lights down.  Although it was far from bright sunlight, there was really good, diffuse inside light and that helped us a great deal.

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Wedding – Groom Preparation

Cindy finished her editing of the over 5000 pictures we took at the wedding three weeks ago, and the bride and groom have seen them. So, now I can post some of mine.

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This was a pretty standard shot of the groom anticipating the day’s events.  My assignment was to get the groom pics.  The groom and his groomsmen were in a room in the Hilton hotel.  Unfortunately, by the time I got there, he was already dressed. So, I only got a couple pics of him dressing.  There was pretty good light from this window.  So, I closed the drapes to restrain it and good this shot.

I took some more of the groom, his parents, and the groomsmen around the Hilton.  One of the shots they wanted was of the groom’s party coming from the Hilton to the Convention Center.  There is an open walkway, but the light was terrible.  The walkway is covered and kind of dark, but the surrounding area was very light.  With bright sunlight, there was really contrasty light that made a good exposure difficult.  Much of this shot was saved in processing. The background was blown out in order to get good exposure of the faces.

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While we were doing this, the groom commented that it was kind of a “rat pack” thing – a bunch of guys in tuxedos.  Someone else commented that it was kind of an “Ocean’s 11” thing.  I had a little different slant.  I told them it looked more like a “Reservoir Dogs” to me. To each his own, I guess.

I posted the rest of the preparation pics in the Wedding Gallery and will post more tomorrow.

PhotoJunction

I haven’t posted in a few days.  Cindy is finishing the edits for the wedding I shot with her three weeks ago.  Once she is done, I can post my images here.

We have been discussing an album for the couple.  I have used Aperture for other books.  The problem was there is no way of exporting the compiled pages except as pdf files.  So, you are limited to using Apple’s vendors to produce the book. Their prices are reasonable, but there is not a whole lot of selection.  Now, I see Apple has allowed a few high end vendors to produce plug ins that allow for the ordering of really high end books.

In spite of that, it appears there is much better flexibility by producing a book outside of Aperture.  I have been trying to learn a program called PhotoJunction that interacts with a variety of vendors to allow for the design and production of books.  So, I have spent some time the last couple of days trying to learn this program.  For the most part, it is intuitive and utilizes lots of drag and drop procedures.

Additionally, I am looking at a web site called albumexposure that allows users to upload compiled albums and then allows the customer to look at them and proof them.  After all changes have been made, then the album can be ordered from a variety of vendors directly from this web site.

I have found out that there are essentially two different categories of such albums.  The “press” books are produced by using one image per page.  (The images can be multiple pictures like the one above.) These are then printed on book/magazine quality paper.  The resulting book is like a standard coffee table book.  The process is relatively cheap, and the price of the books that are produced depends on covers and linings, but is relatively inexpensive.

The “matted” books print the images on photographic paper.  Although the templates allow for multiple images on the same page, apparently the production process will not allow for any overlap of the images. So, in my page above, the four pictures would be printed on the page, but not the background image.  The resulting photographic print is then adhered to a mat, making the pages very much thicker.  This is kind of like an old style scrapbook, but one of extremely high quality. In looking at various vendors for these, it would be easy to spend $500 on a book.  In one case,  the cost of the book was $6500!

85 mm f/1.4 lens

 

My new 85mm f/1.4 lens came earlier this week.  It is manual focus and manual aperture.  Kind of like going back in time.  After focusing on the subject, the viewfinder meter has an exposure indicator, and exposure is controlled by either changing the shutter speed or the aperture.  However, this is not even a lens that stops down to the chosen aperture when the picture is taken.  When you change aperture, you see the results immediately.  So, stopping down makes the image in the viewfinder darker.

This is a “portrait” lens because the wide aperture gives a shallow depth of field. The whole idea of this lens is to focus on one spot and almost everything goes out of focus but that spot.

I went to Indian Spring Park yesterday and took some pictures with it.  I was not all that thrilled by them.  The truth is, most were not properly focused.  Although, the couple that were, had a very sharp focus.  So, I went back today.  I did a little better. I took about a dozen pictures, and all but two were in really good focus.

Lone Star Rally Equipment Statistics

Using Aperture Inspector, here is a quick analysis of the equipment I used at The Lone Star Rally. I took 152 (63%) images with the a700 body and 89 (37%) with the a550.  I used three lenses.  I took 139 (58%) pictures with my old Quantaray Tech 10 70 – 210 f/2.8 lens.  I took 73 (30%) with my Quantaray 18 – 35 f/3.5 lens, and 29 (12%) with my Tamron 90 mm f/2.8 Macro.

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Lens Repair Followup

My 70 – 200 f/2.8 lens somehow stopped working properly.  So, I sent it to Tamron.  They received it and before it could be repaired, Sandy hit.  So, it spent a week there.  I called them this morning, and they have repaired it and shipped  it yesterday.  So, I will have it Friday.  Great news!

The Skull Fetish of Motorcyclists

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There is an obvious fetish in the motorcycle community. Although skulls are the most common expression of this fetish, it goes a little wider than just simply skulls.

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Skulls are painted onto motorcycle parts, and they are incorporated into parts that are cast.

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They can be rather straight forward depictions, or more stylized.

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They are universal in the culture.

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But, I believe the skull is just a convenient icon for a broader involvement.

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The skull fetish is really an expression of a wider fetish with the morbid.

 

Lone Star Rally – The Event

SONY DSCWe went to the Lone Star Rally on Saturday. There were probably 200,000 motorcycles there. We got there about noon and stayed until about 3:30.  The motorcycles are parked two and three deep all along Strand and Mechanic Streets.

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There is barely enough room in the middle of the street for a line of motorcycles to ride in.  There is a constant parade of motorcycles all day long. SONY DSC

There is lots of food and entertainment and a competition for the best custom cycle.

Fast Glass

I mentioned before that the wedding photography seminar we watched featured a photographer who used three prime and one zoom lens.  The three primes were a 24 mm f/1.4, a 50 mm f/1.2, and an 84 mm f/1.4. Everything she shot was with available light.  Well, now I appreciate why she used such fast glass.

I used Aperture Inspector to look at the aperture and iso I used for the wedding last Saturday.  91%of the pictures were take with apertures less than f/5. 40% were taken at iso 400, 27% at iso 800 and 6% were taken at iso 1600.  86% of the pictures were taken at shutter speeds faster than 1/60 second.

Faster glass would mean wider apertures, lower iso values and faster shutter speeds.

I found a Rokinon 85mm f/1.4 on eBay.  It is manual focus and manual aperture.  So, it will take some experimenting.